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Silver Screen Club


VENUES AND TICKETS
Whitsell Auditorium
1219 SW Park Avenue
Portland, OR 97205

The Box Office opens 30 minutes prior to showtime.

PARKING

ADMISSION PRICES
$9 General
$8 PAM Members, Students, Seniors
$6 Friends of the Film Center

Tickets are now available online. Click on the 'Buy Tickets' links to buy online.

BOOK OF TEN TICKETS
$50 Buy Here

THE 10-MINUTE RULE
Seats for advance ticket and pass holders are held until 10 minutes before showtime, when any unfilled seats are released to the public. Thus, advance tickets or passes ensure that you will not have to wait in the ticket purchase line but do not guarantee a seat in the case of arrival after the 10-minute window has begun. Your early arrival also helps get screenings started promptly. We appreciate your understanding. Advance ticket holders who arrive within the 10-minute window but are not seated may exchange their tickets for another screening at the Ticket Outlet or obtain a cash refund at the theater. There are no refunds or exchanges for late arrivals or for missed screenings.



   
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2016
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2013
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Volume 4
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Volume 1

2012
Volume 6
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Volume 4
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Volume 1

2011
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Volume 1

2010
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Volume 4
Volume 3
Volume 1

2009
Volume 5
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Volume 3
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Volume 1

2008
Volume 6
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2007
Volume 7
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Volume 1

2006
Volume 6
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Volume 1

2005
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2004
Volume 6
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2003
Volume 5
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Volume 1

2002
Volume 4
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Volume 1

2001
Volume 5
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Volume 1

2000
Volume 4
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1999
Volume 5
Volume 4
Volume 3
Volume 2
Volume 1

1998
Volume 5
Volume 4
Volume 3
July/Aug 2007
Thu, Jul 5, 2007 - Thu, Aug 30, 2007

Join us five stories up atop the Hotel deLuxe's parking structure (729 SW 15th Ave) to enjoy the magic of a balmy summer night in Portland (yes, we have them) with 360 degree, moonlit views of the city at its most urban and urbane. The evenings begin at 8pm with live music and refreshments. Gracie's Restaurant will offer easy-to-juggle meals, snacks and cocktails, and additional beverages will be available from TAZO and Sierra Nevada Brewing. The screenings start at dusk-around 9pm-depending on the somewhat predictable, but ever-changing, whims of darkness. Bring your favorite portable chair or blanket, but please, no pets or outside food, or drink. Admission $7. No Student, Senior, or PAM member discounts. Sponsored by Hotel deLuxe, Willamette Week, 97.1CharlieFM, 94/7FM Alternative Portland, KPSU, TAZO and Sierra Nevada Brewing.

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"I come up with the ideas. That is essentially the director's job." Stanley Kubrick, SIGHT AND SOUND. Whether regarded as an obsessive perfectionist or a tyrannical autocrat, it remains that Stanley Kubrick (1928-1999) was one of cinema's most visionary, innovative, and thought-provoking directors. Fiercely independent, Kubrick mastered both the artistic and technical aspects of filmmaking, producing 12 feature films that defy easy categorization. An auteur in every sense of the word, Kubrick wrote, directed, edited, and in many cases shot (and otherwise lived) his films simply to preserve the artistic integrity of his singular vision.

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The rise of the documentary over the last decade has been an international phenomenon. A new generation of filmmakers has been able, with new digital technology and low budgets, to tackle issues, ideas and portraits as never before. In addition to compelling subjects, diversified exhibition and distribution channels are providing exciting opportunities for artists and audiences to connect. In recent years Spain has seen the emergence of a provocative documentary film movement, with first-time filmmakers taking their place beside established masters and producing works of universal interest. This sampling of recent Spanish productions includes eight award-winning films that transcend national interest, including Fernando Trueba's THE MIRACLE OF CANDEAL, a celebration of the power of music as an agent of social change; MY GRANDMOTHER'S HOUSE, winner of the prestigious Joris Ivens Award at the International Documentary Film Festival in Amsterdam and Oliver Stone's fascinating COMANDANTE, a portrait of the enigmatic Fidel Castro.Thanks to Pragda, Spain Foreign Cultural Cooperation, International Documentary Association, and the Embassy of Spain in Washington, D.C. for making these films available. DOCUSPAIN has been organized with generous support from the Spanish Foreign Cultural Cooperation of the Embassy of Spain in Washington. Special thanks go to the International Documentary Association (IDA).

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