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Silver Screen Club


VENUES AND TICKETS
Whitsell Auditorium
1219 SW Park Avenue
Portland, OR 97205

The Box Office opens 30 minutes prior to showtime.

PARKING

ADMISSION PRICES
$9 General
$8 PAM Members, Students, Seniors
$6 Friends of the Film Center

Tickets are now available online. Click on the 'Buy Tickets' links to buy online.

BOOK OF TEN TICKETS
$50 Buy Here

THE 10-MINUTE RULE
Seats for advance ticket and pass holders are held until 10 minutes before showtime, when any unfilled seats are released to the public. Thus, advance tickets or passes ensure that you will not have to wait in the ticket purchase line but do not guarantee a seat in the case of arrival after the 10-minute window has begun. Your early arrival also helps get screenings started promptly. We appreciate your understanding. Advance ticket holders who arrive within the 10-minute window but are not seated may exchange their tickets for another screening at the Ticket Outlet or obtain a cash refund at the theater. There are no refunds or exchanges for late arrivals or for missed screenings.



   
Schedule Archives
Festivals Archive

2016
Volume 1

2015
Volume 5
Volume 4
Volume 3
Volume 2
Volume 1

2014
Volume 6
Volume 4
Volume 3
Volume 2
Volume 1

2013
Volume 6
Volume 5
Volume 4
Volume 2
Volume 1

2012
Volume 6
Volume 5
Volume 4
Volume 3
Volume 1

2011
Volume 6
Volume 5
Volume 4
Volume 3
Volume 1

2010
Volume 6
Volume 5
Volume 4
Volume 3
Volume 1

2009
Volume 5
Volume 4
Volume 3
Volume 2
Volume 1

2008
Volume 6
Volume 5
Volume 4
Volume 3
Volume 1

2007
Volume 7
Volume 6
Volume 5
Volume 4
Volume 3
Volume 1

2006
Volume 6
Volume 5
Volume 4
Volume 2
Volume 1

2005
Volume 5
Volume 4
Volume 3
Volume 2
Volume 1

2004
Volume 6
Volume 5
Volume 4
Volume 3
Volume 2
Volume 1

2003
Volume 5
Volume 4
Volume 3
Volume 2
Volume 1

2002
Volume 4
Volume 3
Volume 2
Volume 1

2001
Volume 5
Volume 4
Volume 3
Volume 2
Volume 1

2000
Volume 4
Volume 3
Volume 2
Volume 1

1999
Volume 5
Volume 4
Volume 3
Volume 2
Volume 1

1998
Volume 5
Volume 4
Volume 3
Friday Film Club

Our inaugural Friday Film Club discussion series—presented monthly when the Portland Art Museum’s galleries are open late on Friday evenings—features works with implicit or explicit focus on landscape: rural and urban, physical and emotional. Presented in conjunction with the Museum’s “Seeing Nature” exhibition, on view October 10-January 8, we hope these films will spark dialogue, both between audience members and between artistic mediums. The screenings are accompanied by post-film discussions led by a Museum docent, sometimes with a short exhibition tour component.



Fri, Sep 11, 2015
at 5:30 PM

Watch Trailer
DAYS OF HEAVEN
DIRECTOR: TERRENCE MALICK
US, 1979

Set against the landscape of early-20th century industrial Chicago and subsequently the rippling grain fields of the Texas Panhandle (in actuality central Canada), Malick’s immense tragedy follows lovers-masquerading-as-siblings Abby (Brooke Adams) and Bill (Richard Gere), who travel south in search of steady work but instead become embroiled in a complex, morally questionable love triangle with a nameless farm patriarch (Sam Shepard). Director Terrence Malick won the National Society of Film Critics Award for Best Director Awards and Nestor Almendros won the Oscar for Best Cinematography for—in the words of film historian Peter Biskind—this “dark jewel of a film.”

( 94 min )
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Fri, Oct 16, 2015
at 5:30 PM

Watch Trailer
IN THE MOOD FOR LOVE
DIRECTOR: WONG KAR-WAI
HONG KONG, 2000

A tiny, sparsely populated slice of early-1960s Hong Kong forms the backdrop for Wong’s hyper-stylish yet thorny dissection of the politics of infidelity and the bonds formed through modern urban malaise. Hong Kong superstars Maggie Cheung and Tony Leung feature as star-crossed neighbors-turned-lovers whose spouses have a secret tryst; soon, they forge their own connection, rooted in a hot-house of longing. Gloriously lensed by the inspired team of Christopher Doyle (CHUNGKING EXPRESS, THE LIMITS OF CONTROL) and Mark Lee Ping Bin (THE PUPPETMASTER, FLOWERS OF SHANGHAI), Wong’s small-scale, contemplative drama is “a vertiginous, obsessive mood piece.”—Kevin B. Lee. In Cantonese and French with English subtitles.

( 98 min )
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