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Schedule Archives
Festivals Archive 2016
Volume 1
2015
Volume 5
Volume 4 Volume 3 Volume 2 Volume 1 2014
Volume 6
Volume 4 Volume 3 Volume 2 Volume 1 2013
Volume 6
Volume 5 Volume 4 Volume 2 Volume 1 2012
Volume 6
Volume 5 Volume 4 Volume 3 Volume 1 2011
Volume 6
Volume 5 Volume 4 Volume 3 Volume 1 2010
Volume 6
Volume 5 Volume 4 Volume 3 Volume 1 2009
Volume 5
Volume 4 Volume 3 Volume 2 Volume 1 2008
Volume 6
Volume 5 Volume 4 Volume 3 Volume 1 2007
Volume 7
Volume 6 Volume 5 Volume 4 Volume 3 Volume 1 2006
Volume 6
Volume 5 Volume 4 Volume 2 Volume 1 2005
Volume 5Volume 4 Volume 3 Volume 2 Volume 1 2004
Volume 6Volume 5 Volume 4 Volume 3 Volume 2 Volume 1 2003
Volume 5Volume 4 Volume 3 Volume 2 Volume 1 2002
Volume 4Volume 3 Volume 2 Volume 1 2001
Volume 5Volume 4 Volume 3 Volume 2 Volume 1 2000
Volume 4Volume 3 Volume 2 Volume 1 1999
Volume 5Volume 4 Volume 3 Volume 2 Volume 1 1998
Volume 5Volume 4 Volume 3 |
David Lean: Ten British Classics
Critical and popular evaluations of the career of British director David Lean (1908-1991) generally focus on three of his most famous films: THE BRIDGE ON THE RIVER KWAI, LAWRENCE OF ARABIA and DR. ZHIVAGO. While these films achieved popular success and legendary status, they also earned Lean the reputation of only being capable of staging stunning, but impersonal, commercial stories on an epic scale. This centenary retrospective of Lean's earlier films from the 1940s and 50s, restorations drawn from the Archives of the British Film Institute, offers a more balanced appreciation of his talents. Ranging from adventure narratives (IN WHICH WE SERVE), through literary and stage adaptations (GREAT EXPECTATIONS, OLIVER TWIST, THIS HAPPY BREED, BLITHE SPIRIT), to “women's” melodramas (BRIEF ENCOUNTER, MADELEINE, PASSIONATE FRIENDS), these diverse films offer a full picture of Lean's artistic brilliance and personal vision. A common character in Lean's work is the visionary protagonist who seeks to remake the world according to his or her dreams. From a man who rose from clapperboard assistant to master filmmaker through the tenacity of his vision, this recurring figure may be David Lean's most personal touch of all. For critic David Thomson, the films of this period constitute Lean's greatest achievements: “They are lively, stirring, and an inspiration—they make you want to go out and make movies, they are so in love with the screen's power.”
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